Sunday, 13 November 2016

Louis Johnson: Magpie and Pines


That dandy black-and-white gentleman doodling notes
on fragrant pinetops over the breakfast morning,
has been known to drop through mists of bacon-fat,
with a gleaming eye, to the road where a child stood, screaming.

And in the dark past – the secretive trees – have boys
harboured their ghosts, built huts, and buried treasure,
and lovers made from metallic kisses alloys
more precious, and driven the dark from pleasure.

A child was told that bird as his guardian angel
reported daily on actions contrived to displease;
stands petrified in the sound of wings, a strangle
of screams knotting his throat beneath the winter leaves.

Look back and laugh on the lovers whose white mating
made magpie of dark; whose doodling fingers swore
various fidelities and fates. They found the world waiting,
and broke the silence. A raven croaks 'Nevermore'

to their progentive midnight. The guardian is aloof
on his roof of the small world, composing against morning
a new, ironic ballad. The lover has found small truth
in the broken silence, in faith, or the fate-bird moaning.


Published 1952. The poet packs too much in: too much story, too much formal structure. A small poem still emerges, even if over-narrated. At its centre is the child standing petrified (and with good reason, if the guardian angel is a magpie).

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