Think of it waiting three hundred million years,
not a hare hiding in the last stand of wheat,
but a premonition of stone, a moonlit reef
where corals reach for the light through clear
waters of warm Palaeozoic seas.
In its limbs lies the story of the earth,
the living ocean, then the slow birth
of limestone from the long trajectories
of starfish, feather stars, crinoids and crushed shells
that fill with calcite, harden, wait for the quarryman,
the timed explosion and the sculptor's hand.
Then the hare, its eye a planet, springs from the chisel
to stand in the grass, moonlight's muscle and bone,
the stems of sea lilies slowly turned to stone.
not a hare hiding in the last stand of wheat,
but a premonition of stone, a moonlit reef
where corals reach for the light through clear
waters of warm Palaeozoic seas.
In its limbs lies the story of the earth,
the living ocean, then the slow birth
of limestone from the long trajectories
of starfish, feather stars, crinoids and crushed shells
that fill with calcite, harden, wait for the quarryman,
the timed explosion and the sculptor's hand.
Then the hare, its eye a planet, springs from the chisel
to stand in the grass, moonlight's muscle and bone,
the stems of sea lilies slowly turned to stone.
Dedicated
to Meic Watts, “who sculpted the limestone hare”. Perhaps a little too lucubrated - the poem seems as trapped in stone as its subject.
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