1
Horse broke clear
across the pasture, horse
broke clean loose
and cleared the fence. Didn't
you
tell me, don’t put the cart
before the horse, didn’t
you
tell me, get out in front, girl, get out
in front while you can—
down past the fence, past
the river bend, the horse
got clear of the house, clear
out of sight—
and didn’t I cut that horse
loose, fast as any knife—
2
It’s always good to get out in front,
you told me once, girl, get out
in front, but don’t put the cart
before the horse—and my horse
was a chest of knives, and wasn’t
my horse slick as any knife
and fast and sleek—and my horse
was sleek as your knife, I mean
your knife flat against my cheek
I mean didn’t I get out in front,
my horse, out in front,
and could you catch us then,
could you stop us—
and didn’t you tell me
the river is a snake, girl
but even a snake can drown.
Published 2015. Such energy: the poet has something to say, and finds the voice to say it with utter naturalness, so that the poem's drama takes over the literal horse and irresistably transmutes it.
Very powerful indeed. Shades of Sylvia Plath and "Daddy" or Philip Larkin at his most sardonic.
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